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The Finest Fashion Books For Style Enthusiasts

The fashion books taking pride of place on the Wallpaper style desk. From monographs and photographic tomes to limited-edition titles, we explore the latest releases.

These visually enticing volumes and educational tomes will act as elegant accompaniments to the coffee table of any style savant.

Best fashion books

Macro (Jil Sander, January 2023)

Jil Sander’s ‘Macro’
(Image credit: Courtesy of Jil Sander)

The latest in a series of books created by Lucie and Luke Meier in collaboration with international artists and photographs, ‘Macro’ sees the designers unite with Chris Rhodes which captures the brand’s A/W 2022 collection in a number of still-life images. A long-time collaborator, Rhodes captures the unseen details of the Meiers’ collections – the aluminium heel of a black pump, lapis lazuli stones in a silver necklace, a heart-shaped ornament on a handbag – in the intimate images. ‘Macro is the testimony of a journey, of an idea that adds a different dimension to the purpose of Lucie and Luke Meier’s work,’ say the brand, ‘a suggestion on how design can be unconventionally perceived and displayed’. 

Chloé Catwalk (Thames and Hudson, December 2022)

Coinciding with the house’s 70th anniversary, a new Thames & Hudson-published book provides a comprehensive history of Chloé and those who have shaped it – from founder Gaby Aghion to a young Karl Lagerfeld, and the slew of influential female designers who have helmed the house in the years since, among them Martine Sitbon, Phoebe Philo, Stella McCartney and current creative director Gabriela Hearst. Collating over 130 collections and 1,100 looks, ‘Chloé Catwalk’ provides a vivid portrait of the pioneering house that has sought ‘modernity, ease, vibrancy, optimism, freedom’ from its beginnings. ‘All I ever wanted was for Chloé to have a happy spirit and to make people happy,’ Aghion is quoted as saying in the book. It is the latest addition to Thames & Hudson‘s blockbuster ‘Catwalk’ series, this time authored by Lou Stoppard and featuring a preface by fashion critic Suzy Menkes.

Come Stai? (Bottega Veneta, November 2022)

Bottega Veneta’s ‘Come Stai?’
(Image credit: Courtesy of Bottega Veneta)

Earlier this year, Italian designer Gaetano Pesce created the set – including 400 entirely unique chairs – for Matthieu Blazy’s sophomore outing at Bottega Veneta. A new limited-edition book from the house, launched as part of Design Miami, documents the process. Alongside images of the set’s creation by Stephen Shore and Sander Muylaert, Hans Ulrich Obrist interviews Pesce about the project’s ‘ideation, approach and process’ as well as contributions from Blazy and Wallpaper* Milan editor Maria Cristina Didero. Like the chairs, each cover of the book is entirely one-of-a-kind. 

Acne Paper Issue 17 (Acne Studios, November 2022)

Acne Paper’ Issue 17
(Image credit: Courtesy of Acne Studios)

After a seven-year hiatus, Acne Paper – Stockholm-based fashion label Acne Studios’ cult print magazine – was relaunched last November as a ‘hybrid between a book and a magazine’ across 500 pages. This year, for its 17th issue, the brand says it is taking this idea of a hybrid ‘one step further’ – ‘[it is] part biography, part novel, part cultural art journal, part fashion magazine,’ describe the brand of the latest issue, which centres around a character named Atticus, ‘a fictional personality in the art world who [is celebrating] his 100-year birthday’. Across five chapters, his ‘memoir’ narrates a ‘cultured life’ which sees him journey from a dancer under choreographer Merce Cunningham to a luminary of the contemporary art scene. The biography also centres on Atticus’ relationship with partner Desmond, ‘[reminding] of a time when men who loved men, and women who loved women, were considered delinquents… [and recalling] the dramatic Aids epidemic and the many loved and talented people who perished with it.’ As such, a portfolio in the issue pays tribute to the work of real-life artists Darrel Ellis, Arch Connelly, Jimmy Wright, and Larry Stanton – the latter who will be celebrated in a special capsule collection by the brand – while contributions from contemporary photographers Luis Alberto Rodriguez, Paul Kooiker and an intimate self-portrait series by Ibrahim Kamara are intersected throughout. 

Hand in Hand (Fendi, November 2022)

Fendi’s ‘Hand in Hand’
(Image credit: Courtesy of Fendi)

Coinciding with the 25th anniversary of the Fendi Baguette, a new book from the Italian house sees the iconic handbag style reinterpreted by 30 artisans across Italy in a celebration of centuries-old craft – from brocade, embroidery and crochet to works in wood and marble. In the book – titled ‘Hand in Hand’ after the 2020 initiative of the same name which originally tasked the artisans with reinterpreting the accessory – these works are captured by Italian photographer Lorenzo Vitturi and accompanied by texts by art critic and curator Eugenio Viola, artist Aldo Bakker and ‘upcyclist’ Orsola de Castro. ‘It pleases me to work on certain techniques that, to me, seem unchanged – and then to observe how, when working by hand, an error can become a virtue. Indeed, an error can become the idea for innovation,’ says the bag’s original designer Silvia Venturini Fendi in an interview about the project in the book. ‘[It] is a couture initiative, because it presents Baguette bags that will not be replicated.’

Akris: A Century in Fashion Selbstverständlich (November 2022)

‘Akris: A Century in Fashion Selbstverständlich’
(Image credit: Courtesy of Rizzoli)

To coincide with Akris’ 100th-anniversary celebrations – the house was founded a century ago in St Gallen, Switzerland – a new book, ‘A Century in Fashion Selbstverständlich’, presents a history of the house through the lens of current creative director Albert Kriemler (grandson of Akris founder Alice Kriemler-Schoch). The large-format photobook features a portfolio of vintage Akris styles photographed by Iwan Baan at the 1960s brutalist extension of the university of St Gallen, alongside an essay by Swiss author Daniel Binswanger, comments by Kriemler himself, and archival imagery. ‘Selbstverständlich is the one single German expression [that] best encapsulates the Akris spirit for me,’ says Kriemler of the book’s title, which loosely translates to English as ‘natural’ or ‘self-evident’. ‘It perfectly conveys our aesthetic ideal of clothing, embodying an effortless modernity.’

Dior by Sarah Moon (Delpire & Co, November 2022)

‘Dior’ by Sarah Moon
(Image credit: Courtesy of Dior)

A new book from Dior celebrates the Parisian house’s relationship with French photographer Sarah Moon – ‘a delicate ode to multifaceted femininity, sublime in its complexity,’ as the accompanying blurb describes. Across three consecutive volumes, Moon captures pieces from the Dior archives – mostly at Fondation Le Corbusier or inside the archival spaces themselves – creating evocative images which ‘communicate the strength which emanates from the architectural silhouettes designed by Christian Dior and his successors’. Current creative director of the women’s collections Maria Grazia Chiuri, who has continually commissioned women artists during her tenure for collaborations or show-set design, is a particular focus of the tome, with a 38-image portfolio of Chiuri’s work making up the book’s final volume.

The Colors of Sies Marjan (Rizzoli, November 2022)

‘The Colors of Sies Marjan’ explores the brief but colourful history of Sander Lak’s cult New York label Sies Marjan, which shuttered in June 2020 after four years in business. The ‘highly personal’ book, as Lak describes, features archival imagery of Sies Marjan with a particular focus placed on the designer’s vivid and unexpected use of colour which was the bedrock of his work (‘Cookie Monster blue’, ‘Baskin Robbins pink’, ‘Lakers purple’ and ‘Post-it yellow’ are all described in the book). ‘The intention of a lot of books about fashion houses is usually within a marketing or PR-filled context, like an anniversary or store opening, and there’s nothing wrong with that, but this was something very different,’ Lak says of the book, which features contributions from artist Elizabeth Peyton, author Donna Tartt, and architect Rem Koolhaas, among others. ‘It was a chance for myself to give this chapter some closure.’

Annie Leibovitz (Taschen, September 2022)

Annie Leibovitz
(Image credit: Courtesy of Taschen)

Originally published as part of Taschen’s Sumo series – in which seminal cultural figures, including Helmut Newton, David Hockney and the Rolling Stones, are celebrated with limited-edition supersized monographs – Annie Leibovitz is rereleased in a new unlimited version. The comprehensive tome draws on 40 years of the American photographer’s work, from photojournalism for publications like Rolling Stone to her best-known celebrity portraiture in Vanity Fair and Vogue, as well as a number of photographs never before seen. ‘This is not a retrospective. It is a kind of potpourri. A roller coaster,’ Leibovitz says. ‘As you go through it, you forget what you saw in the beginning. You’re in another place toward the end.’

The Fendi Set: From Bloomsbury to Borghese (Rizzoli, April 2022)

British designer Kim Jones became head of Fendi couture and womenswear in September 2020; his first collection for the house, the following January, melded Fendi’s famed Italian craftsmanship with his own British roots, looking towards the Bloomsbury Set for inspiration (particularly – Virginia Woolf, and her novel Orlando). The link, he said, was the way they were drawn to Rome – to its ancient monuments and Renaissance treasures – a journey he explores in a new Rizzoli-published book The Fendi Set (first released in January in the UK, it will arrive in the US at the beginning of April). Exploring Jones’ relationship with the culture-shaping group of artists, intellectuals and writers, it sees collaborator Nikolai von Bismarck photograph their famed gathering spots – Charleston House, Knole House, and Sissinghurst Castle – before heading to the set of the haute couture show in Paris, and then to Rome’s Villa Medici and Villa Borghese, where the histories of Fendi and the Bloomsbury Set meet. The photographs capture Jones’ own contemporary ‘set’ – Christy Turlington, Kate Moss and Naomi Campbell among them – alongside original letters, diary entries and excerpts from Bloomsbury members.  

GANNI: Gimme More (Rizzoli,October 2021)

Ganni Gimme More
(Image credit: Courtesy of Rizzoli)

Ganni girls embody a celebratory, spontaneous, community and eco-aware spirit – one that has been captured within the pages of the Copenhagen-based brand’s debut monograph GANNI: Gimme More. The vivid volume, published by Rizzoli, dives into the world of the sustainability-focused, pattern- and print-celebrating label. Look out for a photo essay documenting Ganni’s home city, shot by longtime collaborator Ana Kraš; an insightful conversation with the label’s creative director Ditte Reffstrup and a vivid visual collage piecing together the brand’s raising-the-roof house parties. Laura Hawkins

Versace Catwalk: The Complete Collections (Thames & Hudson, October 2021)

Versace Catwalk: The Complete Collections
(Image credit: Courtesy of Thames & Hudson)

In recent years, Versace catwalk shows have well and truly broken the internet. For the label’s Milan Fashion Week S/S 2022 offering in September, its campaign star Dua Lipa opened and closed a scintillating runway show, which featured a profusion of its signature motifs: tropical foulard silks, oodles of neon, safety-pin embellishments and a steamy hit of bare skin.

With the release of Versace Catwalk: The Complete Collections, fashion fans can ogle their favourite catwalk collections from the brand – be it the animal-print and power-shouldered silhouettes of the S/S 1983 offering, or the cyber glamour of the S/S 2012 couture show. The volume, authored by esteemed fashion critic Tim Blanks, is paged chronologically and brings together more than 40 years of fashion shows, kicking off with Gianni Versace’s 1978 debut, in a carefully curated edit of some 1,200 images. LH

OBJECT-FORM.FORM!, by Samuel Ross (SR_A, October 2021)

(Image credit: Courtesy of SR_A)

Samuel Ross’ interdisciplinary mindset – that sees him bridge not only his fashion label A-Cold-Wall* but also his art and design practice SR_A – culminates in Object – Form. Form!, Ross’ first major book celebrating the range and extent of his projects and collaborators. Leaf through this visual history of Ross’ projects to date, which also features a gallery of short texts by friends, mentors and peers, including Virgil Abloh, Takashi Murakami, Daniel Arsham, Hans Ulrich Obrist and David Adjaye. LH

Vivienne Westwood Catwalk (Thames & Hudson, June 2021)

Vivienne Westwood in Vivienne Westwood Catwalk
(Image credit: Courtesy of Thames & Hudson)

Vivienne Westwood vanguards, unite! A veritable treasure trove of images and inspiration, Thames & Hudson-published Vivienne Westwood Catwalk celebrates 40 years of the legendary British designer’s runway collections. Take a coveted seat at the catwalk of over 70 collections and delight in 1,300 looks, that celebrate the historicism-rooted, renegade, punk and environmentalist aesthetic of Westwood. The volume, released in celebration of Westwood’s 80th birthday, features an introduction and collection texts by fashion critic Alexander Fury, with contributions by Westwood herself and her partner in life and work Andreas Kronthaler. The book is bound with the brand’s iconic tartan, first produced in 1993 and officially recognised by the Scottish register of Tartans. LH

Familiarity (Jil Sander Publishing, July 2021)

Jil Sander’s Familiarity 
(Image credit: Courtesy of Jil Sander Publishing)

Creative director and husband-and wife-duo Lucie and Luke Meier have collaborated with a cohort of legendary image makers, teaming up with Joel Meyerowitz on Sander’s recent A/W 2021 campaign. Now the label has released Familiarity, a limited photographic volume, which sees five image makers, Anders Edström, Olivier Kervern, Chris Rhodes, Lina Scheynius and Mario Sorrenti, personally interpret the the Meiers’ designs. These images offer five distinct visual takes on the Sander aesthetic, which are united by Sander’s clothing. The images have been captured inside photographers’ homes and gardens, bringing a sense of intimacy to the photographic series, and a notion of familiarity to elevated fashion. LH

Peter Lindbergh. Azzedine Alaïa (Taschen, May 2021)

Peter Lindbergh. Azzedine Alaïa
(Image credit: Courtesy of Taschen)

‘We met in 1979, I believe. Ever since, Azzedine and I are hand in glove. I photographed his collections and I have countless portraits of him,’ said renowned German photographer Peter Lindbergh of his longtime friendship with Azzedine Alaïa, before he passed away in 2019. Alaïa and Lindbergh were united on many creative passions: a love for black and the celebration of the female form.

Now, a grayscale Taschen volume – launched in conjunction with the exhibition Azzedine Alaïa, Peter Lindbergh at the Fondation Azzedine Alaïa in Paris – celebrates the creative output of the two artist’s, spanning atmospheric settings including the lamp lit streets of Paris and the windswept beach of Le Touquet, and featuring models and musicians including Naomi Campbell, Kristen McMenamy, Madonna and Tina Turner. The book – a must for Alaïa or Lindbergh-obsessed bibliophiles, also features contributions from Fabrice Hergott, director of the Musée d’Art Moderne de la, photographer Paolo Roversi and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaïa.

Silicon Valley. No_Code_Life (Rizzoli, March 2021)

Tod’s Silicon Valley. No_Code_Life
(Image credit: Courtesy of Rizzoli)

When Italian label Tod’s launched its No_Code trainer project – a line of silhouettes that adheres to technological and fabric innovation, and invites design visionaries to apply cutting-edge ideas to its designs – it demonstrated a synergy with the forward-thinking mindset of Silicon Valley, and its ascendancy of unicorn companies. Now, in celebration of the famed San Francisco location, and the site of spectacular start-ups, the label has launched a Rizzoli-published book which lenses Silicon Valley, in an alternative light, breaks through the venerated veneer of its streets.

For Silicon Valley. No_Code_Life, Tod’s enlisted Iranian-American photographer Ramek Fazel to document the daily goings on in Silicon Valley. For 10 days he roamed its roads, armed with a Rolleiflex, shooting diverse portraits and panoramic views, from aerial shots of lengthy highways to employees armed with colourful Google-branded tote bags. The result is a colourful and multifarious presentation of Silicon Valley existence, rooted in reality, instead of millennial-infused myth. LH

Craig Green x Jack Davison (Limited edition at Dover Street Market, May 2021)

Craig Green x Jack Davison
(Image credit: Courtesy of Craig Green)

In March 2021, London menswear designer Craig Green teamed up with photographer Jack Davison, on a poetic S/S 2021 visual set of images that captured Green’s sculptural, utilitarian and headpiece-accented designs. Now, in celebration of the project, Green and Davison have launched a print media extension of the collaboration, encompassed as a limited set of four riso-printed and saddle-stitched self-cover books, accompanied by Tyvek sheet posters, printed in a spectrum of colour variations. From midday tomorrow, 13 May 2021, a mere 30 sets of the books will be available, for free, for the public to collect from Craig Green’s space at Dover Street London. LH

Pucci (Taschen, March 2021)

(Image credit: Courtesy of Taschen)

One designer who had the ability to imbue escapism into every garment was Emilio Pucci. The Italian designer was a doyen of dramatic, pattern-splashed clothing, which also had a boundary-pushing comfortable appeal, and was sported on the ski slopes and in the chicest summer resorts. Now, a Taschen released tome celebrates the history of the print-swathed Pucci dynasty, in a volume brimming with archival images, sketches and eye-catching ephemera. Pucci, features accompanying text by fashion critic Vanessa Friedman and is wrapped in a tactile fabric cover, with a selection of archive prints abounding in abstract swirls and tropical blooms. LH

Her Dior: Maria Grazia’s New Voice (Rizzoli, March 2021

Her Dior: Maria Grazia’s New Voice
(Image credit: Courtesy of Rizzoli)

During her creative tenure at Dior, Maria Grazia Chiuri has made feminism an integral part of her aesthetic expression, collaborating with revolutionary female artists including Judy Chicago and Tomasina Binga and creating silhouettes that explore the multi dimensional facets of womanhood. Now, a new publication by Rizzoli New York, brings together a host of female photographers, including Wallpaper* contributor Brigitte Niedermair, Nan Goldin, Sarah Moon and Laura Coulson, in a visual exchange exploring female identity. 

‘Seeking a dialogue from the outset with these women artists, writers and activists, they themselves at times distant from me and from fashion, was party and parcel of my focus on the reasons and the situations that I believed we urgent, and that I wanted to put at the heart of my creative process,’ Chiuri explains in the volume’s Introduction. LH

Stazione Termini, Lookbook 2009-2021 (Drago, February 2021)

Fashion book Stazione Termini, Lookbook 2009-2021
(Image credit: Courtesy of Drago)

Niccolò Berretta has been drawn to the anthropological bravura of August Sander and Diane Arbus since he first started taking pictures. ‘I see their work as a sort of catalogue of human beings yet with the search for the mysterious,’ he says. In 2009 he began taking photographs of some of the one hundred and fifty million passengers that pass each year through Rome’s Stazione Termini. Now 490 of them have been brought together in a chunky book published by Drago.

The first edition includes a glossy wraparound featuring models striding the streets of Esquilino in the 15th rione wearing REDValentino’s Spring/Summer 21 collection. Between the covers, we see couples dressed in matching shiny puffa jackets, a cigar smoking man in a finely tailored navy suit, stickered suitcases, knitted leg warmers, and sunglasses pushed up onto people’s heads. ‘I do not go beyond the mirror they see themselves in every day,’ Berretta says in the introduction. This is more than just a record of quotidian style, it is an archive of a city and its people in flux. ‘An integral part of this visual process is the environment: the advertisements, the construction sites, the cars, the street signs, the scenography that speak to their time. The subtitle Lookbook 2009-2021 is an ironic reference to the world of fashion in which everything is fleeting, fast and almost does not exist.’ Dal Chodha

MSGM 10! The (in)complete Brand Anthology (Rizzoli, December 2020)

MSGM 10! The (in)complete Brand Anthology
(Image credit: Courtesy of Rizzoli)

The vibrancy, pattern and eclectic flavour of Massimo Giorgetti’s MSGM is synonymous with modern Milanese design, and in celebration of the label’s tenth birthday, the brand has released a Rizzoli-published monogram, majestic in colour and warmth. The volume, which is visually inspired by a fanzine and was art directed by Giorgetti himself, features a mix of fashion-focused and personal memories, from his dogs Pane and Coda to effusive editorial images. With contributing texts from friends and collaborators including Maurizio Cattelan, super stylist Katie Grand and journalist Charlie Porter, this is a must read for any MSGM enthusiast. LH

Images (Jacquemus, September 2020)

Jacquemus’ Images
(Image credit: Courtesy of Jacquemus)

Simone Porte Jacquemus understands the transportive power of Instagram. The designer has long used the medium to convey the sun-drenched seduction his brand reflects, associated with the sand-lined shored of Southern France. During lockdown the designer even shot S/S 2020 digital campaign images with Bella Hadid, Barbie Ferreira and Steve Lacy, showcasing the uplifting results on the social media channel. Now, in his second publication to date, Jacquemus has released ‘Images’, a book of his favourite 321 Instagram images, edited down from the 85,041 pictures he has stored on his phone. The publication is a soothing snapshot of summer, boasting beachside shots, architectural and food close-ups and Jacquemus-clad portraits. They capture the energetic, warm and downtime-focused essence of the brand, whether you’re browsing the book from a sun bed in its founder’s beloved hometown Marseille, or city-bound on the sofa. LH

Sicily (Jil Sander Publishing, £80, October 2020)

Jil Sander’s Sicily
(Image credit: Courtesy of Jil Sander Publishing)

We’re all in need of a touch of escapism right now, and lucky for us, Jil Sander’s Lucie and Luke Meier have just released a sun-kissed pictorial road trip around Sicily, lensed by photographer Olivier Kervern. The analogue amalgamation was first presented back in February at Milan Fashion Week at the brand’s Via Sant’Andrea exhibition space, and the sleek volume also serves up a series of portraits depicting the brand’s A/W 2020 offering. While road-tripping may feel out of reach, Sicily will feel out of the way enough when this book is held in the palm of your hands. LH

Sportmax (Assouline Price, February 2020)

(Image credit: Courtesy of Assouline)

This Assouline-published volume by Luke Leitch and Olivier Saillard offers a pleasingly pictorial stroll through the five-decade history of the sports and casual wear-focused label Sportmax, founded in 1969 by Achille Maramotti. Sketches and advertising campaign images abound, highlighting the boldy saturated shades that define Sportmax’s aesthetic and capture the style signatures of the creatives who anonymously worked on the brand’s collections, including Nanni Strada, Jean- Charles de Castelbajac, Odile Lançon and Guy Paulin. LH

Prada Catwalk (Thames & Hudson, October 2019)

Prada Catwalk
(Image credit: Courtesy of Thames & Hudson)

When it comes to a Prada catwalk show, fans of the Milanese label delight in decoding the various archive Prada-isms which appear in each collection, be it S/S 1996’s icky ‘Formica’ prints, S/S 2000’s tessellated lipstick pattern, a heavy brown shoe or a pleated knee length skirt. Now, a new tome houses all of the brand’s catwalk collections in one place, from Miuccia Prada’s debut A/W 1988 runway offering, with its schoolgirl simplicity and utilitarian tailoring, to her S/S 2019 collection, boasting bourgeois takes on its signature nylon fabric, chubby Alice bands and swathes of grunge green satin. The Thames & Hudson published volume, written by fashion critic Susannah Frankel offers commentary on each collection featured, and boasts over 1,300 illustrations, making it the perfect printed tool for Prada fans everywhere, vying to decode the designer’s famed aesthetic, her obsessions and eccentricities and the brand’s boundary-breaking sensibility. LH

Chanel: The Impossible Collection (Assouline, October 2019)

It’s fitting that this clamshell-cased tome, measuring nearly fifty centimetres in length, is purchased with a complimentary pair of white gloves. For ‘Chanel: The Impossible Collection’ is a bookshelf treasure equal to the house’s signature bouclé tweed suit or its 2.55 handbag. This enormous edition is a tribute to the famed Parisian maison; its glossy pages are packed with fashion show shots, magazine editorials, newspaper cuttings, illustrations and portraits. As part of the volume, author and fashion critic Alexander Fury has also selected 100 iconic looks that represent the house, from the Little Black Dress to the day suit. ‘Let them copy, my ideas belong to everyone, I refuse no one,’ Gabrielle Chanel told The New York Times in January 1971. It’s hard to refuse this book too. LH

Fashion Central Saint Martins (Thames & Hudson, September 2019)

Fashion Central Saint Martins
(Image credit: Courtesy of Thames & Hudson)

Alexander McQueen, Phoebe Philo, Wallpaper* October issue guest editor Hussein Chalayan: some of the most lauded, experimental and innovative designers in the world began their fashion lives in the hallowed halls of Central Saint Martins in London. Fashion Central Saint Martins – published by Thames & Hudson and edited by the school’s programme director of fashion, Hywel Davies, and Cally Blackman, lecturer in fashion history and theory – takes a bold, collaged and archival amble through the art school’s fashion history, which began in 1938, when six years after its fashion school was founded by Muriel Pemberton, it began teaching fashion design and drawing.

Its colourful, cut-and-paste pages are divided into decades, allowing the reader to party alongside the school’s Blitz Kids Eighties alumni, like journalist Hamish Bowles and John Galliano before touring into the 2010s, the era of Craig Green, Charles Jeffrey and Molly Goddard. Expect pages packed with unseen student work, essays from guest writers including Sarah Mower and Judith Watt, and intimate insight into the student lives of some of fashion’s most important figures today. LH

Legaspi: Larry Legaspi, the 70s, and the Future of Fashion (Rizzoli, September 2019)

Legaspi: Larry Legaspi, the 70s, and the Future of Fashion
(Image credit: Courtesy of Rizzoli)

‘It’s me fetishizing him through a fanboy filter’ says Rick Owens of the subject of his latest Rizzoli New York release, dedicated to the work and aesthetic of 70s unsung design hero Larry Legaspi, who created pioneering looks for musical behemoths including KISS, LaBelle and George Clinton. Owens’ men’s and women’s Glam Rock-ready A/W 2019 collection was also dedicated to the designer and featured sinched streamlined tailoring, platform boots and plenty of stage-ready make-up.

For the first ever book documenting LeGaspi’s work, Owens had unprecedented access to his partner’s archives – Legaspi died of Aids in 2001 – and the book is an amalgam of archive backstage imagery, tour posters and sketches, interspersed with newly Owens-lensed images of LeGaspi’s designs, alongside commentary from Patti LaBelle, André Leon Talley and Pat Cleveland. ‘Larry introduced a camp ferocity to the mainstream and helped set a lot of kids like me free,’ Owens adds. We urge you to get introduced too. 

Source: Wallpaper

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